With all the Silent Night, Deadly Night films complete (or are they?), Kerry, Collin and their frequent guest at this time of year, Patrick Ripoll, take a look at another slasher film from the same era, the less controversial, but just as violent Don't Open Till Christmas, directed by (kind-of) and starring Edward Purdom.

Collin and Kerry correct a mistake from last year by focusing on a movie that actually does take place during Halloween. Christine Sellin returns to talk about "Monster House," a subversive and hilarious animated from from 2006 that sneaks up on the viewer with a poignant story of love that turns dark and foreboding when you look back on it.

The director and stars of the wonderful comedy "The Baltimorons" (currently/soon in theaters) join the show briefly to discuss the film's evolution and its purpose as a Christmas movie.

Kerry and Collin didn't plan on 2025 being a John Cusack-a-thon, but that's what ended up happening. After talking about "Serendipity" back in February and with "The Ice Harvest" coming up in December, the hosts decided to do a Cusack double-header of Christmas-adjacent films that came out 40 years ago.

Film critic Pat McDonald join Collin and Kerry to break down "Santa and the Ice Cream Bunny," one of the absolute weirdest holiday concoctions of all time with a just-barely-stitched-together film from 1972.

Kerry and Collin are joined by their good friend Jim Peebles, who also guested on the "A Very Brady Christmas" episode.

Kerry and Collin are joined by frequent guest, Erik Childress (host of Movie Madness) to talk about one of the dumbest films to come out of 1985, from Cannon Studios, one of the most notorious movie studios of its era.

Kerry and Collin are joined by Jeff Broitman (formerly of the podcast Fresh Perspective) to talk about one of Collin's all-time favorite films, Terry Gilliam's 1985 masterpiece "Brazil."

Based on the encouragement of a GQ article from 2016, Kerry and Collin took a look back at “Bridget Jones’s Diary” to see if the writer of said article had been onto something. That led them to go back and rewatch all of the “Bridget Jones” movies including the latest, which just came out on blu-ray.