The first detour from Christmas takes Kerry and Collin to the beloved and behated Valentine's Day. Conveniently, that also happens to be the name of the movie they talk about. Garry Marshall's last three films were holiday-based rom-com adventures. "Valentine's Day" might be the best of the three, but will likely be the only one covered on this show. How does the "Love Actually' formula work for this multiple-stories-in-one-day device? Can one be a convincing phone sex worker in a PG-13 movie? What are the three best Garry Marshall movies? All this, plus Collin goes through the new releases in pohysical media for the month of January in the Blu-ray Gift Exchange. 

The Star Wars Holiday Special remains a curiosity item for many, mainly for its sheer awfulness. In this episode, Kerry and Collin talk with director Jeremy Coon about his wonderful documentary on the notorious television special, "A Disturbance In the Force" (now available on VOD and blu-ray). Should this wretched television special be officially released? How many times did Coon have to watch it while making his documentary? What other Star Wars-related media is still under wraps out there? Why is now the perfect time for this documentary, currently at 100% on Rotten Tomatoes? All this, plus Kerry gives us three more films from "1,001 Movies You Must See Before You Die," including a familiar title that surprisingly hasn't been discussed on this show (at least, not respectfully). 

For this year's Nutcracker entry, Kerry and Collin fulfill a listener request with "The Nutcracker Prince," surprisingly not a direct-to-video animated film from this era, but sure feels like one. What is Blue (or Bleu) Cheese Cake? Is it acceptable to have a Nutcracker movie without the slightest hint of ballet? Is it worth the effort to travel to Miller's Pub on Wabash Avenue in Chicago to try the seasonal Tom and Jerry beverage? All these questions answered, plus a Blu-ray Gift Exchange from December that feature a few classics and obscurities.

Friend of the show, Jim Peebles, joins Collin and Kerry for a look at one of the most enduring and successful of all Christmas films, Jon Favreau's 2003 comedy "Elf," starring Will Farrell as the eternally childlike Buddy The Elf and James Caan as his long lost father. Before any of that, though, Kerry and Collin share their adventures in Pink Wonderland, a pop-up bar in Chicago that is just too pink to believe. Go to https://solo.to/pinkwonderland to get more information on both their Chicago and New York location,  as well as their upcoming New Year's Eve celebration. 

Kerry and Collin take the show on the road for their 100th episode (or is it?). They are joined by frequent guests Erik Childress and Peter Sobczynski for a discussion in front of an audience following the screening of the film. Does John Landis' film represent Eddie Murphy at his peak? How does this movie work as a time capsule of '80s greed and specific movie tropes? How does it harken back to comedies of the '30s and '40s? After that, Kerry and Collin look at a study that examined profanity in Christmas movies. They also share a few ideas they will try with the show starting in 2024. Merry New Year!

Ed Daly, author of "The Christmas Book," joins Kerry and Collin for a discussion on the 1988 classic comedy "Scrooged," starring Bill Murray. For Ed, it was a memorable childhood moviegoing experience. For Collin, it was a memorable teenage experience working at a movie theater at the time. For Kerry, it was a memorable cable TV staple. Does it hold up? Are the supporting actors actually funnier than Murray? What do we all remmeber about the films "Moving Violations" and "Pandemonium"? All this, plus a non-holiday related edition of the Blu-ray Gift Exchange. 

Kerry and Collin talk about the Christmas episodes from Murder She Wrote, Moonlighting, Psych, The Office, Pee-Wee's Playhouse and The Bear. Collin also covers some holiday offerings new on blu-ray/4K and offers his choices for the best blu-ray/4K releases of the year. Finally, they each recommend a movie-related book ("Opposable Thumbs: How Siskel and Ebert Changed Movies Forever," by Matt Singer and "Christmas On the Screen: Reviewing the Evolution of American Spirituality," by John A. Zukowski). Sprinkled in are some TV Christmas Special ads that aired in 1987. 

Film critic Marya E. Gates joins Collin and Kerry to talk about Netflix's latest holiday offering, "Best. Christmas. Ever!" This "fam-com" stars Heather Graham, Brandy and Jason Biggs and is directed by Mary Lambert of "Pet Sematary" fame. How does this film figure into the rest of her work? Do rich people really have multiple, full-size Christmas trees throughout their homes? Would a solar powered hot air balloon fly successfully on a cold winter night? Plenty of questions, some of which get answered. Plus, Kerry talkes about three more entries from the book "1,001 Movies You Must See Before You Die." Also, stay tuned for some exciting news about the show and upcoming episodes. 

The first big Christmas film of the season, Alexander Payne's "The Holdovers," is actually pretty great (the first Christmas movie of the season is rarely ever good). Film critic Steve Prokopy joins Kerry and Collin for the discussion of this theatrical release that is worthy of your time at your local theater (SPOILERS WARNING FOR THIS EPISODE!). Paul Giamatti plays a teacher stuck babysitting a prep school kid on campus during winter break. Is this one of Payne's best films? What would a pandemic have been like in the 1970s? What is the proper way to make any flaming dessert? All this, plus a look at the latest and greatest in physical media for the month of October for the Blu-ray Gift Exchange. 

The tradition continues! Patrick Ripoll joins Kerry and Collin once again to look beneath the early-'90s, direct-to-video sheen and plunge into the most disturbing of depths to dissect "Silent Night, Deadly Night 4: Initiation," quite possibly the most disgusting movie ever covered on this show (and yes, we did cover that Kirk Cameron movie). Is it wrong to bring stemware to a picnic? If Clint Howard isn't playing Ricky from the first three films, which Ricky is he playing? Can a male director make a "feminist parable" while his lead actress spends much of the movie gratuitously naked and covered in slime? So many questions, plus Kerry talks about three movies from the book "1,001 Movies You Must See Before You Die."