Movie Madness

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Episode 421: Bye Bye Best Buy

Retail chain Best Buy announced they will abandon all physical media in their stores and online starting in 2024. In other words, shop anywhere else especially for the titles we discuss every week here on the show with Peter Sobczynski. This week you can be “one of us” with the latest from Criterion, swashbuck with Douglas Fairbanks or get held hostage by Humphrey Bogart on Blu-ray. There is more new 4K horror from Stan Winston, Robin Hardy, Barbra Streisand and one of the more underappreciated remakes of the 1980s. There is also an extensive documentary for a classic from that decade and one of the films we asked for on our Why Is This Not On Blu-Ray shows finally gets an upgrade from Kino. All that and more that you cannot get at Best Buy in the future.

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Episode 420: Long Live The New 4K

Peter Sobczynski returns for a short week of new physical media titles with Erik Childress. On this episode for kids and most decidedly NOT for kids. To keep them busy there is a new 4K of Disney’s first landmark animated motion picture as well as a new collection of Wallace & Gromit’s short films. Then send them to bed so you can revisit the beginning of a horror franchise, Elizabeth Taylor trying to get screwed to death (literally) and James Woods mixing death, screwing and a whole lot of icky hallucinations with David Cronenberg. All that and new releases from the theatrical front for your home library.

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Episode 419: We Believe In William Friedkin & Kitty Green

A return to the weekly movie reviews brings ten new films into the fold for Erik Childress & Steve Prokopy. They include a documentary on an Oscar-winning producer (The Storms of Jeremy Thomas) and a baffling story of love featuring Peter Dinklage and two Oscar winners (She Came To Me). The horrors of October are starting to come out with another chapter in the long-running anthology (V/H/S/85), the first of two tales of families and possession this week (When Evil Lurks) plus what happens when you mix Scream with Back to the Future (Totally Killer). There is more real life horror revisiting the shifting power dynamics of a Sundance relationship (Fair Play), the true-life tale of when to remain silent (Miranda’s Victim) and the true-life-inspired tale of vacationing women and the toxic bar they get jobs in (The Royal Hotel). Finally it seems fitting that on the week that David Gordon Green attempts his own follow-up to one of the greatest horror films ever (The Exorcist: Believer), the late director of that classic would see the debut of his final film about how a new generation thinks they know more than the one they follow (The Caine Mutiny Court-Martial).

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Episode 418: Fantastic Fest 2023

Steve Prokopy returned to Austin for its annual Fantastic Fest and then came back to the podcast to talk about the barrage of films he saw along with Erik Childress who got to see a few titles as well. They include a Troma reboot with Peter Dinklage, retro screenings of French giallo and Roman softcore. Pet Sematary got a prequel, stopmotion creations come to life and Joe Lynch tries on some Lovecraft with Heather Graham. Steve takes you to a river with a time loop and Erik goes down to South America for an unique chef gig with Nick Stahl. There are documentaries about cinematic A.I. and a famous Halloween theme park. There are spiders, dogs and earthquakes. Michel Gondry revisits one of his own works and the guys split on a film “based” on true events. Finally there is a real gem featuring one of our favorites, Jim Cummings, and the gathering at a remote coffee shop. 19 films in all for you to consider a look at in the future, which may be doomed.

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Episode 417: The Hunt For Blu October

It’s the month of Halloween and studios are delivering some of their spookiest titles n physical media. Peter Sobczynski joins Erik Childress to talk you into a pair of the greatest horror endings of all-time. Speaking of which you can now pick and choose your Universal horror classics in 4K alongside another sci-fi film from the next era. They discuss what they think could be the best film in one franchise and, arguably, the last tolerable one in another. A “cable classic” gets the 4K treatment as does a Best Picture winner celebrating your 50th anniversary that will cleanse your palette after a week full of gore and frights.

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Episode 416: Here Come The Pain Big Time

Peter Sobczynski guides you through the latest in physical media. They include a couple music-based films from Criterion. Getting close to October the horror is ramping up with upgrades for Argento, Halloween and even an MST3K favorite. There are 4K upgrades for Godard, Cimino, Frankenheimer, Linklater and even Gregg Araki. Peter and Erik talk about the controversies over Oliver Stone’s attack on media culture and they both love the recent upgrade of one of Brian DePalma’s best films.

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Episode 415: The 2023 Toronto International Film Festival

Erik Childress flies solo on this one detailing his full experience at this year’s event. He shares his thoughts on over 25 films ranging from new titles from Richard Linklater, Alexander Payne and Kitty Green to even actors getting behind the camera including Anna Kendrick, Michael Keaton and Patricia Arquette. There are films with songs, stories with cops, drug dealers, hit men and serial killers plus two of the year’s very best films about teachers. Tales of everything from WWII to Spring Break, apocalyptic combat to Chicago’s Cabrini Green. Not every film is a dream though one certainly has a fun time with them not to mention the emphasis on women’s stories and trying to find peace in a world of bad men and at least one they call their father. Good stuff, great stuff and some really bad stuff in another festival season.

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Episode 414: You Want To Love Or Fear?

Peter Sobczynski returns for an epic round of catch-up on the latest and greatest in physical media. They include 4K upgrades of films from Orson Welles and Nicolas Roeg. The strange career of James Foley is discussed around one of his best films. Speaking of best, Lions Gate has one of the best comedies of the year and one of the year’s best period. Right in time for Cassandro this week, the first two Santo films are released. There is excellent television, an all-timer from the late, great William Friedkin as well as the Ghoulies movies and a whole trove of titles from master of disaster, Irwin Allen. Something from all the decades including an ‘80s favorite getting a major upgrade and the directorial debut of Robert DeNiro celebrating its 30th anniversary in 4K.

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Episode 413: Who Wants Another Mustache Ride?

Erik Childress and Steve Prokopy return to the review beat with eight new movies this week. They include a horror anthology (Satanic Hispanics), another coming-of-age werewolf love story (My Animal) and the film that reveals the truth about Augusto Pinochet being a vampire (El Conde). Michael Pena stars in the true story of a Mexican immigrant who dreamed of becoming an astronaut (A Million Miles Away) and Michael Jai White and the makers of Black Dynamite take on the western (Outlaw Johnny Black). The great Haley Lu Richardson finds love at the airport (Love At First Sight), a bunch of amateur stock traders game the system in a recent true story (Dumb Money) and Kenneth Branagh brings the latest in his Hercule Poirot Cinematic Universe (A Haunting In Venice).

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Episode 412: King Killers And Titillating Thrillers

A half-dozen films highlight this Labor Day weekend with Erik Childress and Steve Prokopy who guide you through the spectrum of new films from Juliette Binoche (Between Two Worlds) and Frank Grillo (King of Killers). Hilary Swank is kinda involved in solving her son’s murder (The Good Mother) while Simon Pegg tries to solve the mystery of an unseen but all-knowing entity (Nandor Fodor and the Talking Mongoose). The history of the “erotic thriller” is examined in a nearly three-hour documentary (We Kill For Love) and Denzel Washington is back to provide brutal justice in Italy (The Equalizer 3).

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