On a special episode of the podcast, comic book expert Erik Laws returns to join Erik Childress to discuss the much ballyhooed release of Marvel’s team-up of Ryan Reynolds and Hugh Jackman meant to correct past sins and hopefully plug the creative and success leak of their recent output. Does the film live up to its promise? Are the stakes there or is it just a service for the fans? How does its cameos and surprises measure up and is it weird to take shots at what is supposed to be an ally now? They also weigh in on the latest news of Robert Downey Jr. returning to the MCU, what his appearance as Victor Von Doom could mean and is it just an act of desperation to combat the comic book fatigue which may finally be real?

This week in physical media expands the gauntlet between masterpieces, greatness, exploitation and outright garbage. In other words, Erik Childress and Peter Sobczynski have a little something for everyone. They include a film from the ‘60s that was lost until the ‘90s, one of the first films from Jonathan Demme, one of the last films of Howard Hawks and hopefully not the last from Philip Kaufmann. There’s a box set of the works of Nico Mastorakis and a director’s cut featuring David Bowie and Rosanna Arquette. Two films from the great runs of Frank Oz and Kevin Costner get 4K upgrades and Peter tells you about one of the sexiest scenes he’s ever seen. Spoiler that it involves neither an infamous 1980 musical with The Village People or any of the Jaws sequels; both of which practically get their own episodes here.

Some great titles to put into your physical media library this week and Peter Sobczynski is here with Erik Childress to help guide you through them. It all begins with one of the great films of the 1980s that put Tom Cruise on the path to stardom. Tom Hanks missed an Oscar nom but delivered one of his best performances for Paul Greengrass and Ang Lee did get the Oscar but the Academy went for another film in 2005. There are also vehicles for Burt Reynolds, Dirk Benedict and the film that Ben Affleck was the bomb in. Other underground dwellers can be found at bikini bottom and Criterion also has a pair of Wim Wenders films. Finally there are new 4K editions of one of the great sci-fi classics and the entire series that carries the name of the beloved character created by Sylvester Stallone.

Before each of them take their respective vacations, Erik Childress and Steve Prokopy have nine movies for you to check out or throw away. They include Guy Pearce in a Lee Tamahori film about warring Maori tribes (The Convert) and Baltasar Kormákur decades-spanning romantic saga (Touch). Documentaries cover the range of the career of one of our great actresses (Faye) and the horrible behavior that derailed Louis C.K.’s, at least temporarily (Sorry/Not Sorry). Things get strange when Ewan McGregor’s mother won’t leave a furniture store (Mother, Couch) and things get even stranger in a film so baffling it may become a midnight staple (Lumina). KiKi Layn is a musician trying to be heard (Dandelion). Scarlett Johansson tries to sell America’s space race with Channing Tatum (Fly Me to the Moon) and Ozgood Perkins tries to have Nicolas Cage freak us out (Longlegs).

Peter Sobczynski has the rundown on this week’s physical media with Erik Childress. Leading the way are French classics by Jean-Pierre Melville and Patrice Leconte. They talk about the controversies surrounding Todd Solondz third feature and the strange hiatus of director Robert Butler. 4K tries to clean-up a second helping of the Ghoulies and a Thailand based creature feature “not to be confused with Alligator.” Finally they go back and forth on the 1996 mega-hit that finally spawned a sequel 28 years later.

Erik Childress and Steve Prokopy do not skimp this week serving up 11 new reviews for you. Erik looks at Paul Raci as a spiritual guru who may have achieved a new kind of grief transcendence (The Secret Art of Human Flight) while Emma Roberts does Legally Blonde Goes To NASA (Space Cadet). Steve has a film about the Eichmann trial (June Zero) and that of a different kind of bloodsucker (Humanist Vampire Seeking Consenting Suicidal Person) which also partially sums up his review of Despicable Me 4. They look at different sides of altruism in the true story of a community and their collective adoptions (Sound of Hope: The Story of Possum Trot) and the fantastic documentarian Penny Lane on her personal journey of donating a kidney (Confessions of a Good Samaritan). Yorgos Lanthimos takes on a three-pronged tale of abusive relationships (Kinds of Kindness) and Eddie Murphy returns to his most iconic role (Beverly Hills Cop: Axel F). Finally, choose your warrior – the commando at the center of a bandit-filled train (Kill) or Mia Goth’s survivor in the conclusion of Ti West’s horror trilogy (MaXXXine).

There is not a lot to add to your physical media collection this week. But what there is you will want to get your hands on. Peter Sobczynski joins Erik Childress to talk about the tortured history of one of Sam Peckinpah’s greatest westerns. Music stars in movies gets a little sillier with Weird Al Yankovic and Madonna. Silliness gets raised to an artform with the first of the Will Ferrell/Adam McKay collaborations. Though maybe not as silly as the accents from Jeff Bridges and Tommy Lee Jones in the second of 1994’s summer bomber movies. Peter Hyams gets another shout-out and one of Martin Scorsese’s masterpieces finally gets a standalone release in 4K.

Erik Childress and Steve Prokopy have eight movie reviews for you this week. They include a new film about religious fanaticism from the filmmakers behind Goodnight Mommy and The Lodge (The Devil’s Bath) plus a documentary about the horrific legacy of a questionable John Wayne film (The Conqueror: Hollywood Fallout). A Sundance film from 2023 with Lily Gladstone finally sees the light (Fancy Dance) and we get the second younger man/older woman rom-com in just a few months now with Nicole Kidman and Zac Efron (A Family Affair). A pre-Dracula vampire is revealed in a new horror film (The Vourdalak) and Dakota Johnson has a long cab ride conversation with driver Sean Penn (Daddio). Then we watch the blind aliens attack New York (A Quiet Place: Day One) and Kevin Costner directs the first of his four-part epic western (Horizon: An American Saga – Chapter 1)

A pretty solid week for new Blu-ray and 4K arrivals that Erik Childress and Peter Sobczynski talk you through. They include, arguably, David Lynch’s best film and the consequences if you choose an ice dancing show over it. Orson Welles’ first foray into cinematic Shakespeare as well as a special collection of the cavalcade of films released in the wake of Bruce Lee’s untimely passing. Joe Dante’s loving tribute to the movies of our youth gets the 4K upgrade as do the works of Trey Parker and Matt Stone. Finally, is the film that truly launched Prince one of the best bad movies ever made or one of the worst great movies? You make the call, now in 4K!

Erik Childress and Steve Prokopy have seven films for you to hear about this week. Two you heard about before when June Squibb went into action mode on a phishing scam at Sundance (Thelma) and Rachel Sennott nannies a teenage girl (I Used To Be Funny). Still funny are the queer comedians featured in a new Netflix doc (Outstanding: A Comedy Revolution). Less funny is seeing Abbie Cornish in a twisty con game (Detained). Maybe a but funnier is Jessica Alba as a ”skilled special forces commando” (Trigger Warning) and certainly less funny is watching Russell Crowe in a second possession film in two years from the son of the star Jason Miller (The Exorcism). Finally Jeff Nichols puts Tom Hardy and Austin Butler on motorcycles and Jodie Comer tells us all about it. (The Bikeriders).