Physical media is still here in 2025! Like every other year. Erik Childress and Peter Sobczynski are back to run through the new releases with you. They include a pair of upgraded Kurosawas and Richard Pryor examining his life. John Turturro directs a musical, William Shatner does a horror film in Esperanto and the pair share some fondness for John Frankenheimer’s final film. You will hear about the film that was literally like pulling teeth for Erik while two of Brad Pitt’s best films get fantastic new packages.

Erik Childress and Steve Prokopy are back to start 2025 with reviews…of a lot of 2024 movies. Albeit ones opening wider across the country now. But there are also some brand new releases including documentaries on a film that never was (George A. Romero’s Resident Evil) and the songwriter who never wins an Oscar (Diane Warren: Relentless). Then a family is trapped amidst a pole reversal (Survive) and Adrien Brody tries to build a life in America (The Brutalist). Robbie Williams gets the musical biopic treatment as a chimpanzee (Better Man) while Julianne Moore & Tilda Swinton face a tough life together in Pedro Almodovar’s latest (The Room Next Door). Pamela Anderson finds herself aging out in Vegas (The Last Showgirl) and Marianne Jean-Baptiste gives one of the year’s best performances in the new film from Mike Leigh (Hard Truths). Finally, Gerard Butler returns as Big Nick to get the mastermind robber he lost the first time (Den of Thieves : Pantera).  

An annual tradition that goes back to the days of WHPK Radio at the University of Chicago where Erik Childress joined Sergio Mims to discuss all things movies and certainly physical media, Erik is now joined by Peter Sobczynski for it to endure. Each of them has chosen ten films that to this day remain only on DVD (or not at all) that they believe deserve the upgrade. There are films about the circus, about priests and prostitution, love triangles and the dark side of Hollywood. There is politics and courtrooms, games of skill, concerts and debuts in front of and behind the camera. Even if they kinda know the answer to the main question, this is a time for everyone to work together to bring these works of art (and even some lesser art) to a proper format so they can be preserved, protected and enjoyed for generations to come.

Oscar voting has begun and the week before the unveiling of the nominations is jam-packed with implications. Various guilds to impact the Best Picture race from Producers to Directors to Writers. All that on top of the Screen Actors Guild announcement and how the BAFTA shortlists put the best case scenarios forwards for many in the acting categories. Did the Golden Globes impact the races (or at least people’s viewing preferences)? The Best Actress could become a Thunderdome right up to the nominations on Jan. 17. Which performances have the most to gain and lose down the stretch and how many films are fighting for the final two or three Best Picture slots? All this on a penultimate bonus episode before final predictions next week.

What better way to kickoff 2025 than a look back at the some of the greatness of 2024. On this annual show, Erik Childress and Steve Prokopy invite back Collin Souter so they can condense the entire year into the absolute best in their individual opinions. Only three films cracked all of their lists so there is a wide swath of analysis in a year that demanded it. Where is the common ground? What are the outliers? This is a great way to make your own lists on what to catch up on before we start doing it all again in the new year.

On the final show of 2024, Erik Childress and Steve Prokopy check out eight new movies that include a Danish serial killer from 1919 (The Girl with the Needle) and Nicole Kidman as a CEO who enters into an affair with an intern (Babygirl). Tyler Perry tells the story of undelivered mail during wartime (The Six Triple Eight) and the Sega Genesis hero returns to battle Jim Carrey (Sonic the Hedgehog 3). Robert Eggers offers his take on the Dracula legend (Nosferatu) and James Mangold tells another story of a musical artist (A Complete Unknown). Finally, Barry Jenkins helps tell a pair of wildly different tales. He writes Rachel Morrison’s directorial debut of an Olympic female boxer (The Fire Inside) and then he takes the reins himself of Disney’s prequel to one of their biggest stories (Mufasa: The Lion King).

There will not be a lot of movement in the rankings through the end of the year. Not until we get into January when many of the major guilds and BAFTA add to the chorus of voices this awards season. So on this episode we look at why its unfortunate we have to consider the Critics Choice Association as one of those voices. For better or worse the numbers do factor in as many of the major races begin to take some shape. We will not be without surprises but Erik Childress offers some hope over worries that Marianne Jean-Baptiste might still be passed over for a nomination and he looks at the Oscar shortlists that were announced.

One last physical media show for 2024 and still time to get those last-minute Christmas gifts. Erik Childress and Peter Sobczynski take you through a bundle that includes two of the all-time masterpieces by John Ford and Francis Ford Coppola. Land is very much in the conversation from films by Ron Howard and Michael Winterbottom. There are aliens in the water, in the womb and something else aboard a submarine from WWII. We’ve got conspiracies, punks and missing thumbs plus the films of Steve De Jarnatt. John Wayne and Cary Grant in 4K plus a couple of solid Sylvester Stallone films including one from 50 years ago and another set in the future. Finally, one of the greatest TV shows of all-time gets the 4K upgrade it deserves as the duo recount some of their favorite episodes and moments from Seinfeld.

Erik Childress and Steve Prokopy continue to wade into December’s offerings with nine new films on the slate. They include the directorial debut of Jack Huston (Day of the Fight) and Eva Green leading a team of female operatives against ISIS (Dirty Angels). The director of The Act of Killing does an apocalyptic musical (The End) while the daughter of a synthesizer inventor takes a joyous and complicated journey learning about her deceased father (Resynator). Paul Schrader takes his own trip through the life of a dying Richard Gere (Oh, Canada) while Angelina Jolie takes us through that of opera’s Callas (Maria). 46 years after Ralph Bakshi, Tolkien gets animated again (The Lord of the Rings: The War of the Rohirrim) or you can stay home and watch TSA agent Taron Egerton face off against terrorist Jason Bateman in an airport (Carry On). Finally, Sony’s Spider-Man spinoff anti-hero line of Marvel movies supposedly comes to an end (Kraven the Hunter).

We continue our march through awards season madness as we look at a fresh batch of nominations and announcements that have started to part the clouds a little on how its all playing out. Thanks to LA, Chicago and even lesser on-the-level groups like the Golden Globes and the National Board of Review (whose statistics can nevertheless not be entirely denied) Erik Childress runs you down the current depth charts on the Big 8 categories which can certainly change week-to-week.