Bill speaks to author, screenwriter and fanzine publisher Mike “McBeardo” McPadden about his various endeavors, from creating the fanzine Happyland in 1991 to developing books like HEAVY METAL MOVIES and TEEN MOVIE HELL. Topics include: Rick Sullivan’s Gore Gazette, approaching 1980s teen sex comedies in the #MeToo era, writing as Selwyn Harris for Screw and Hustler, Danny Peary, 1990s fanzine culture, authoring screenplays for Gregory Dark films like THE DEVIL IN MISS JONES 5 and ANIMAL INSTINCTS III, John Hughes, Troma Entertainment, LEMORA: A CHILD’S TALE OF THE SUPERNATURAL, Gilbert Gottfried, Mr. Skin, catching ROCKY HORROR PICTURE SHOW at age 10 with hippie relatives and writing about Jenna Jameson’s mashed potatoes recipe for Esquire.

Bill speaks to writer, filmmaker, and New York Film Festival director Kent Jones. They discuss his path from writing film reviews as a teenager to directing the new film DIANE. Topics include: William Wyler, collaborating with Martin Scorsese on documentaries like MY VOYAGE TO ITALY and A LETTER TO ELIA, programming at venues like Film Forum and Film Society Of Lincoln Center, moderating Q & As, Jean-Luc Godard, Netflix, John Ford, Elia Kazan, Manny Farber, ZODIAC, New Video, Monte Hellman and the importance of costume designers.

Bill talks to filmmaker and film programmer Chris O’Neill. They discuss his experiences in film culture, from childhood movie rental rituals to directing short films, working in distribution and programming for theatres like Kino Cinema and Triskel Christchurch. Topics include Irish cinema, tape trading, STRAW DOGS, Brad Stevens, the changes William Friedkin made to CRUISING and the impact of parenthood on work/life balance.

Bill talks to film critic Manuela Lazic. They discuss her experiences in film culture, from reading Cahiers du Cinema with her sister in middle school to writing for publications like Little White Lies, The Ringer, Vague Visages, RogerEbert.com and Birth.Movies.Death. Topics include: Erotic thrillers, influential teachers, Christopher Nolan, writing about performance, podcasts, BLOW UP, drawing Freudian inspiration from Sasha Alexander's performance on NCIS, positivity and branding on social media.

Bill talks to film programmer and historian Sergio Mims about some of his many pursuits in film culture, from working on the set of films like PENITENTIARY to co-founding the website Shadow And Act and festivals like Blacklight and Black Harvest Film Festival. Other topics include: influential books, classical music, tips for conducting celebrity interviews, J. Lee Thompson, the L.A. Rebellion film movement, Films And Filming, working in radio and having the good sense to turn down work on a film with a title like THE BABYSITTER MURDERS.

Bill speaks to author and musician Stephen Thrower about some of his contributions to film culture, from his earliest film criticism for Shock Xpress and his film journal Eyeball to the development of books like BEYOND TERROR: THE FILMS OF LUCIO FULCI, NIGHTMARE USA: THE UNTOLD STORY OF THE EXPLOITATION INDEPENDENTS and MURDEROUS PASSIONS: THE DELIRIOUS CINEMA OF JESS FRANCO. Other topics include: Dr. Who, Roxy Music, POSSESSION, David Lynch, Ramsey Campbell, THE BROOD, Derek Jarman, DUFFER, Throbbing Gristle, DON’T GO IN THE HOUSE, hedonistic writing techniques, approaches to film scoring and how certain films can be analogous to drugs. 

Bill speaks to artist and exploitation film preservationist Lisa Petrucci about her experiences in film culture, from childhood encounters with horror movies at the drive-in to running Something Weird Video. Topics discussed include: Mike Vraney, working at Michael Weldon’s original Psychotronic Store in the East Village, early 90s exploitation film fan culture, Reel Wild Cinema, the evolution of Something Weird’s customer base, screening sexploitation films for today’s audiences and how her dad came up with idea for G.I. Joe. 

Bill speaks to Peter Biskind about his various endeavors in film culture, from editing for publications like American Film and Premiere to writing books like THE SKY IS FALLING, DOWN AND DIRTY PICTURES and EASY RIDERS, RAGING BULLS: HOW THE SEX-DRUGS-AND-ROCK-‘N’_ROLL GENERATION SAVED HOLLYWOOD. Topics discussed include: Biskind’s work as a documentarian, Brandon Films, getting reprimanded by Francis Coppola, the development and reception of EASY RIDERS, RAGING BULLS, comic book movies and extremism in popular entertainment, Harvey Weinstein and having to axe a piece by Christopher Hitchens because of his insufficient notes.

Bill speaks to author and film critic Adrian Martin about how a childhood interest in science fiction fanzines lead him towards a rich and varied life in film culture, from teaching film at age 19 and working as a freelance film/arts critic to writing books, co-editing online journals like Rouge and collaborating with fellow critic Cristina Álvarez López on audiovisual essays. Topics include: writing techniques and outfoxing subeditors, progressive rock, specializing in certain films/filmmakers, audio commentaries, Bill Krohn, discussing troublesome directors, early 1980s Melbourne film culture, Josef Von Sternberg and experiencing premonitions in dreams concerning PLANET OF THE APES.

Bill speaks to writer Rachael Nisbet about her creative endeavors, from developing the website Hypnotic Crescendos to writing booklet essays for Dario Argento and Sergio Martino home video releases. Topics discussed include: Umberto Lenzi, Edinburgh film culture, research practices, erotic thrillers, Kat Ellinger, DON’T LOOK NOW, Scalarama and how to apply the aesthetic of an Italian giallo to one’s wedding reception.