Christmas Movies Actually
114: Kiwi Christmas (2017)
Prior to their recent trip to New Zealand, Collin and Kerry looked up "New Zealand Christmas movies" and this was the result. "Kiwi Christmas" follows a typical formula for an ABC Family Christmas movie in which Santa Claus doesn't want to do his usual rounds on Christmas Eve, so he hides in Auckland, New Zealand and hangs out with a family during their Christmas barbeque. Wackiness ensues. Is the border patrol in NZ really as strict as they appear in this film? Can Santa really be Santa with only six employees? Will there ever be a Christmas movie or special starring Queenstown's beloved Cookie Muncher? All this, plus a robust Blu-ray Gift Exchange.
113. Rudolph and Frosty’s Christmas In July (1979)
Kerry and Collin take a look at the feature-length Rankin/Bass movie (and TV special) "Rudolph and Frosty's Christmas In July" and are bewildered by how plot-heavy and overloaded it is with exposition and countless new characters. What is the proper way to react to Frosty dying (again)? Is Scratchy the Evil Reindeer sufficiently evil? And what does all of this have to do with the legendary radio show "The Cinnamon Bear"? You'll have to listen to find out the answrers. Plus, Kerry dives into three more titles from the "1,001 Movies You Must See Before You Die," all of which are geographically linked.
112: 4th of July Movies Actually: Independence Day (1996)
A detour into the 4th of July, Kerry and Collin talk about the biggest hit of 1996, Roland Emmerich's alien invasion epic "Independence Day," which gives America permission to make our holiday a worldwide holiday because of something WE did. Suck it up, world! How does this movie play today now that we all know a little more about computers? Is there a trope called The Sacrificial Quaid? (there is now) Can one punch really knock out an alien? All this, plus a look at the latest and greatest in physical media with the Blu-ray Gift Exchange (Dune 2, Gilbert Gottfried, Francis Ford Coppola and more!).
111. The Santa Clause 2 (2002)
Kerry and Collin talk about "Furiosa: A Mad Max Saga" every chance they get in this episode because it's a far more interesting subject, but because it's not holiday-based, they stick to the format as best they can by talking about the 2002 sequel, "The Santa Clause 2." Why aren't the rules consistent in these movies? Why does a real-world woman have to give up her identity to become Mrs. Claus? Why are there so many shrill child actors out there? All this, plus Kerry talks about three more movies from the "1,001 Movies You Must See Before You Die" book. PLEASE NOTE: The next episode won't be out until June 20th.
110: Nobody’s Fool (1994)
In honor of its 30th anniversary, Kerry and Collin look back at a forgotten little gem starring Paul Newman, Melanie Griffith, Jessica Tandy, an uncredited Bruce Willis and an early role for Philip Seymour Hoffman. It's a "hang-out movie" that spans Thanksgiving to New Years. Why did Willis not get credit for playing a major role? Could this be viewed as a "career summation role" for Newman? What was it like filming in the dead of winter in upstate New York? Also, Collin goes through the latest and greatest in physical media for this month's Blu-ray Gift Exchange.
109: The Bishop's Wife (1947) (feat. John A. Zukowski)
Kerry and Collin are joined by author John A. Zukowski, author of the book "Christmas On the Screen: Reviewing the Evolution of American Spirituality," which provides a springboard into the discussion of the classic "The Bishop's Wife," starring Cary Grant, Loretta Young and David Niven. Why did America need so many movies about celestial beings and angels after WWII? What would the film have been like if Grant and Niven switched roles? What exactly is a "stinger"? (we know it's a drink) All these questions, plus Kerry gives us three more titles (with a classic or two) from the "1,001 Movies You Must See Before You Die" book.
108: Little Miss Millions (1993)
Kerry and Collin take a listener request and talk about an obscure TV movie called "Little Miss Millions," starring Howard Hesseman and (Jennifer) Love Hewitt. The film is directed by Jim "Chopping Mall" Wynorski, whose entire filmography is covered in this one single episode. How many times does Collin drop "Midnight Run" into the conversation? Do young people not know who Howard Hesseman is? Can anyone at anytime use a mirror to blind someone? Also, Collin reviews the latest and greatest in physical media from the month of March in the Blu-ray Gift Exchange.
107: Easter Movies Actually - Jesus Christ Superstar (feat. Brad Strauss)
The Easter holiday is when many people pull out the Biblical epics and none of them rock harder than Norman Jewison's adaptation of Andrew Lloyd Webber/Tim Rice's immortal "Jesus Christ Superstar." Brad Strauss returns to chat with Collin and Kerry about the film's controversy, production problems and why this Biblical movie endures while others have been forgotten. Of course, they also go over their favorite and least favorite songs. There's also some long-overdue Oscar talk and Kerry talks about three movies from the "1,001 Movies You must See Before You Die" book.
106: St. Patrick's Day Movies Actually: The Commitments (feat. Jim Peebles)
St. Patrick's Day calls for a celebration of all things Irish. Why not celebrate the "Blacks of Dublin" with the 1991 musical comedy "The Commitments"? Kerry and Collin are joined by their friend Jim Peebles to talk about what might be the greatest fictional band of all time. Who are/were the Commitments? Where are they now? How authentically Irish is this movie? How many women did Joey "The Lips" actually sleep with in this movie? All that, plus a look at the latest and greatest in physical media for the month of February, including more musicals (a couple classics, even).
105. Little Women (1994) (feat. Laura McDougal and Allyson Dykhuizen)
Kerry and Collin are joined by Laura McDougal and Allyson Dykhuizen (founders of an online community geared towards knitting and garment making, among other things) to talk about the 1994 version of "Little Women." How does this version compare to others, most notably Greta Gerwig's version? Who is the "worst" little woman in the film? Do men always have to explain to women what's happening in an opera, or is that only in lots and lots of movies? All this, plus Kerry gives three more movies from the "1,001 Movies You Must See Before You Die" book.