It’s a light week for movies so Erik Childress and Steve Prokopy work with what they have with four titles that you may or may not want to work with. They include a new Chicago horror film from director Mickey Keating (Invader). Daisy Ridley is a window washer who goes from pane to McClane when eco-terrorists take over her building (Cleaner). Christoph Waltz is an aging hitman with a protégé (Old Guy). Finally, Osgood Perkins is back with a Stephen King adaptation where things do not go well for anybody. (The Monkey)

It’s physical media time with Erik Childress and Peter Sobczynski guiding you through this week’s releases which includes a pair of late indie staples from the ‘80s now in 4K. There’s a pair of John Candy comedies from the same decade, Burt Reynolds directing a comedy about suicide and one about the life of Frances Farmer. Pick your poison in Richard Dreyfuss directing porn (within the movie) and the unspeakable horrors of Roger Corman mutant rapists. Keanu Reeves is a demon hunter and David Fincher gets upgrades for his underrated B-movie thriller and the origin story of another demon.

Erik Childress and Steve Prokopy return to regular reviewing duties this week and they put a nine-spot on the board. There are a pair of documentaries involving Sly Stone (Sly Lives) and the Zep (Becoming Led Zeppelin). The director of Saint Frances & Ghostlight shows the horror of being a doctor (Rounding) while a young woman involved in one night stands may have been literally ghosted (The Dead Thing). Paolo Sorrentino has another tale of beauty (Parthenope) while Miles Teller & Anya Taylor-Joy snipe themselves into each other’s hearts fighting monsters (The Gorge). Then it’s a week of sequels including a continuation of Renee Zellweger’s beloved character (Bridget Jones: Mad About the Boy), everyone’s favorite marmalade-loving bear (Paddington In Peru) and the tale of a new Captain and a new President (Captain America: Brave New World).

The next phase of the Marvel Cinematic Universe is here and so is comic book expert Erik Laws to talk with Erik Childress on how it plays out. Does it follow through on some of the ideas raised by The Falcon and the Winter Soldier or is it merely just continuing a story most many have forgotten about? Laws fills in the blanks left by the treatment of Shira Haas’ Widow and the remnants of the Serpent Society. Is this a genuine new beginning for the Universe or does it continue the rut that has befallen the MCU since Endgame.

Erik Childress & Peter Sobczynski bring you this week’s physical media roundup which includes a great upgrade for the family involving a cat and a mouse. Horror fans get some 4K upgrades from four different decades. Film Noir gets several different takes including through the mind of Woody Allen. A legendary black filmmaker championed over the years by Sergio Mims gets his whole collection. There are early appearances by Sam Elliott, Sean Penn and John Cusack along with a reappraisal of a current Oscar contender. A more positive reappraisal has been happening for years with a Shane Black film now in 4K and Peter takes us down the rabbit hole of the time Jean-Luc Godard made a Shakespeare adaptation for Cannon Films.

Erik Childress and Steve Prokopy return after more than a week in Park City plus virtual screenings for this year’s Sundance Film Festival and they are here to talk about 15 of their favorite films. They include a pair of body horror films about the terror of living happily ever after. There is also the horror of being a parent especially if you live next to the worst kind of Karen. Music plays a role in a lovely story about a washed-up folk singer and a lottery winner plus the heartbreaking tale of an artist taken away from us too quickly. There are more documentaries about the first deaf Oscar winner, teenagers who took on the environmental concerns of their community, the troubling legacy of To Catch a Predator and the consequences of delaying that colonoscopy.  Audiences were treated to standout performances from Dylan O’Brien and the genuine discovery of the debut by a name to remember, Eva Victor. All that plus generational tales of Palestine and the building and rebuilding of America.

After some time off for Sundance, Movie Madness returns to get you caught up on the latest and greatest in Blu-rays. Erik Childress talks to Peter Sobczynski about a couple 4K upgrades from Criterion for Paul Thomas Anderson and Anthony Mann. There are rom-coms with Cary Grant and Clark Gable while Al Pacino tries to find love with possibly a serial killer. They’ve got a possessed authoritarian in the White House (from 1933) and a killer whale on the loose. Music documentaries for Joan Jett and Joan Baez and one of Dario Argento’s best. But it all comes down to a remastered version of a butchered Michael Mann film and a trio of upgrades for one of the kings of sexploitation, Russ Meyer.

Some great titles in physical media this week and Erik Childress is joined by Peter Sobczynski to convince you to pick them up. They include a great modern con artist noir from Criterion and a lost film from Paul Bartel. The ‘70s bring us some sexploitation horror and Sherlock Holmes hunts Jack the Ripper while the ’80s gave us one of the most unique and divisive slasher films. Peter goes to bat for a pair of 4K upgrades from John Carpenter and Tarsem. Finally, there is a trio of new 4Ks from Quentin Tarantino that includes one of Peter’s favorite films and one of Erik’s favorite music cues.

Erik Childress and Steve Prokopy look at eight new movies this week including a unique documentary that combines a video game with Shakespeare (Grand Theft Hamlet). Julia Stiles makes her directorial debut with a romantic weepie (Wish You Were Here) and a locksmith goes on a wild evening (Night Call). Scott Eastwood and Willa Fitzgerald play spies who go off the grid and are sucked back into duty (Alarum) while Jamie Foxx and Cameron Diaz play spies who go off the grid and are sucked back into duty (Back in Action). There is the tale of the newsroom covering the terrorist attack at the 1972 Olympics (September 5) and a raunchy hangout film with Keke Palmer and SZA (One Of Them Days). Finally, Leigh Whannell continues the alterna-Dark Universe with a new take on a classic Universal monster (Wolf Man).

The final pieces are in place as BAFTA and the Producers/Writers Guilds have unveiled their nominations. That means its time to give it a whirl at what the final Oscar lists are going to look like. Just how much did the BAFTAs influence the acting categories. Did the Writer’s Guild really make a difference in predicting screenplays when half of them were disqualified? If the Producers Guild holds about an 80% predictability rate, which two films get left off? Erik Childress looks at no less than eight films that could be vying for one final Best Picture slot. While he feels confident in the other nine nominees, there is also the potential for an epic bunch of so-called snubbing in all the categories.